Sing Along: The Making of a Short Film

Today I met with the co-producer and, for the first time, the cinematographer of the film.  She had been recommended to me by Bobby Bukowski, my friend who was the DP on films like “Saved!”, “The Messenger,” “Rampart,” “Arlington Road,” and for Glee fans — “Struck by Lightning,” the Chris Colfer starring vehicle he wrote for himself.  I was floored by Eugene’s reel; her look was exactly what I was hoping for.  But having a conversation with her, I realized it wasn’t just a fluke that she was of exceptional talent.  She is a rare brilliant artist who approaches material the same way I do — very articulately crafting each frame, determining beforehand what essence we are conveying and making sure there is a cohesiveness in story in regards to how everything relates to each other.  Last week, I had a seven hour meeting with Evan and this week, it was a six hour meeting with Evan and Eugene.  I joked with Evan tonight that next week, we’d only meet for five hours, and then four after that, until it ended in us meeting at the subway station, waving, and then returning to our respective homes.
I hope I can get an entire team that invigorates me like these two do.  Their great energy and ability is going to make for a fun shoot, no matter how unglamorous it will end up being.  We found the location that is perfect for the high school but it is widely expensive.  They agreed to cut down the costs slightly but only if we knocked our crew down to ten people.  We can make it work — especially if two of those ten are people like Evan and Eugene.  But it’s quite ironic at how expensive this shoot is getting and yet none of it is going to unnecessary items — no trailers, no Fiji water — just locations and permits and insurance and lawyers to get the lead actor here from Canada and equipment rentals and lodging costs for out-of-towners.  Our budget is $13,000 more than we anticipated.  We’ll see what happens when the Kickstarter is launched.  And, unsuspectingly, the two of them have agreed to defer their salaries along with me so we could meet production costs.

Today I met with the co-producer and, for the first time, the cinematographer of the film.  She had been recommended to me by Bobby Bukowski, my friend who was the DP on films like “Saved!”, “The Messenger,” “Rampart,” “Arlington Road,” and for Glee fans — “Struck by Lightning,” the Chris Colfer starring vehicle he wrote for himself.  I was floored by Eugene’s reel; her look was exactly what I was hoping for.  But having a conversation with her, I realized it wasn’t just a fluke that she was of exceptional talent.  She is a rare brilliant artist who approaches material the same way I do — very articulately crafting each frame, determining beforehand what essence we are conveying and making sure there is a cohesiveness in story in regards to how everything relates to each other.  Last week, I had a seven hour meeting with Evan and this week, it was a six hour meeting with Evan and Eugene.  I joked with Evan tonight that next week, we’d only meet for five hours, and then four after that, until it ended in us meeting at the subway station, waving, and then returning to our respective homes.

I hope I can get an entire team that invigorates me like these two do.  Their great energy and ability is going to make for a fun shoot, no matter how unglamorous it will end up being.  We found the location that is perfect for the high school but it is widely expensive.  They agreed to cut down the costs slightly but only if we knocked our crew down to ten people.  We can make it work — especially if two of those ten are people like Evan and Eugene.  But it’s quite ironic at how expensive this shoot is getting and yet none of it is going to unnecessary items — no trailers, no Fiji water — just locations and permits and insurance and lawyers to get the lead actor here from Canada and equipment rentals and lodging costs for out-of-towners.  Our budget is $13,000 more than we anticipated.  We’ll see what happens when the Kickstarter is launched.  And, unsuspectingly, the two of them have agreed to defer their salaries along with me so we could meet production costs.

“Sing Along” starring Alice Ripley, Uzo Aduba, Myles Erlick and more….

To those just discovering the tumblr, check out http://www.singalongmovie.com

Right now, the cast includes Alice Ripley, Uzo Aduba, and Myles Erlick.

Four new cast members are in negotiations.  Announcements to be made sometime over the next few weeks.

We are raising part of the budget on Kickstarter and have some really cool incentives, such as an invitation to the New York premiere, a meet-and-greet with the cast prior to the premiere, autographed memorabilia (script, poster), the original soundtrack, a chance to be IN THE FILM, an invitation to the wrap party, or bring some of the cast to your hometown for a private screening.  The site will go live next week!

For updates, you can follow us at http://www.twitter.com/singalongmovie and http://www.facebook.com/singalongmovie

keepcalmandbroadway:

I was not asked to promote this, I am just really excited about it and I want to share this project with as many people as possible.
Check out: http://www.singalongmovie.com/index.html
Facebook: https://www.facebook.com/singalongmovie
Twitter: https://twitter.com/#!/singalongmovie
Tumblr: http://singalongmovie.tumblr.com/
tell your friends and get excited

keepcalmandbroadway:

I was not asked to promote this, I am just really excited about it and I want to share this project with as many people as possible.

Check out: http://www.singalongmovie.com/index.html

Facebook: https://www.facebook.com/singalongmovie

Twitter: https://twitter.com/#!/singalongmovie

Tumblr: http://singalongmovie.tumblr.com/

tell your friends and get excited

How embarrassing.

It’s 10:30PM and I’m laying down MY vocals on the demo tracks to send to professional Broadway singers.  I never claimed to be musically talented but I am visualizing each and every member of the cast snickering when they listen to my rendition of their songs.  Fortunately Alice’s demo was done by Kathy Fisher and the adjustments I made to the lyrics weren’t enough to constitute a redo on my part.

At least it will give them something to make fun of me for on set.

I’ve done 68 storyboards.  Only 22 left and the entire thing will be done.  Then the fun can really start!  (I am not sure if I am being facetious or not… there is definitely truth and tongue-in-cheek in the idea of pre-production and its massive undertaking being “fun”).